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Outside Summer Traveler 2006
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Greek Getaways
Cycladian Rhythm (cont.)

sailing the Greek Isles
Photographs by Max Kim-Bee

COMPARED WITH THE MARQUEE islands of the Cyclades—Santorini, Ios, Mykonos—Sifnos doesn't have much of a reputation. According to Herodotus, the gold and silver mines on this 30-square-mile island made it the richest in the Aegean in the sixth century b.c. Two hundred years later, with its wealth exhausted, it collapsed into insignificance. Since then, Sifnos (pop. 2,500) has existed as a nondescript outpost, known more for its poets and pottery than politics or geography.

Despite the island's lack of distinction, however, the Assos (as my boatmates and I have taken to calling one another) immediately fall in love with Sifnos. The tourist crowds have left with high season, and we have the island mostly to ourselves. Renting motorcycles, we cruise up intricately terraced valleys to the central plateau,

The more time I spend aboard the Assos, the more I appreciate the way sailing connects me to the rhythms of the weather and the water. Away from land, life is less of an abstraction, and the sea gradually reveals itself as an intricate and powerful wilderness.

where the houses of Apollonia lie scattered like big white dice among blue-domed churches and olive groves. We wander out to the far coast and swim off empty beaches under ridges dotted with almond trees and clumps of wild juniper. We explore the mazelike alleyways in the hilltop fortress of Kastro, with its bright-pink bougainvillea creeping over shuttered windows and stray cats blinking in the sunlight. In the evening, we sit outside at wooden restaurant tables and dine on tzatziki, olives, stuffed peppers, lamb, and local white wine. After dark, we hike up to the empty monasteries overlooking the harbor, where we listen to the wind and the tinkling of goat bells. One day on Sifnos stretches into two, two days stretch into three.

sailing the Greek Isles
Photographs by Max Kim-Bee

Our talk of winds and weather has given way to sunbathing and cliff diving, and we spend most of our time swimming in a turquoise cove under the cliffs of Kastro. As the sun sets, I stroke slowly along the cliff's edge, disturbing schools of fish that dart beneath me through big beams of late-day sunlight. I flip over onto my back and watch butterflies skim the water as doves dart in the sky above. If the lotus eaters of Odysseus's day had it any better than this, I'd be surprised.

After three blissfully indolent days on Sifnos, Captain Max reports that the winds have calmed; we raise anchor and our casual crash course in sailing resumes. As I practice tying soggy half hitches and sheet bends in a rainy stretch of sea near Folegandros Island, Max assures me that the willingness to make mistakes speeds the learning process. "Sometimes you learn best by just going out to sea and having things happen," he says.

The more time I spend aboard the Assos, the more I appreciate the way sailing connects me to the rhythms of the weather and the water. Away from land, moment-by-moment life is less of an abstraction, and the sea gradually reveals itself as an intricate and powerful wilderness. Moreover, I'm discovering that so many of the metaphors one uses to describe life on land originated from the rituals of the sea. Many times—when asking if we're "making headway," for instance, or offering to "batten down the hatches"—I find myself using correct sailing terminology entirely by accident. With each day at sea, through trial and error, I get more and more comfortable with my role on the boat.




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