Subscribe to Outside Magazine
advertisement
Survival Guru

Today's Question
What's the best way to learn to live off the land? answer

Is it better to buy or make a survival kit? answer

Greasy Rider

Today's Question
What country has the best ratings for eco-tourism? answer

What is the greenest rental car? answer

Videos Ask Dave
  • What kind of dog will make me look manlier? answer
  • Is there a sport that safely combines my twin passions for guns and kayaks? answer
  • How come most of the world's cultures enjoy eating goat, but Americans don't? answer

Online Favorites

Special Issues

Photo Galleries

save this page print this page email this page
  • share this page

Outside Online

Knives in the Water

To see outtakes from Jeff Riedel's America's Cup assignment, click here

Accompanying Outside's inside report on the battle for the 2003 America's Cup ("Knives in the Water," November 2002) are graphically stunning images by New York-based photographer Jeff Riedel. The 34-year-old found his way into the profession in the 1990s after his grandfather gave him an old camera and he ventured down to Virginia shoot a rally of striking coal miners. "I developed the film in my kitchen sink and made prints in my bathroom and was instantly hooked, " he says. "I knew that I would be taking pictures for the rest of my life."

Stalking the America's Cup challenger syndicates as they tested their jealously guarded, multimillion-dollar yachts in New Zealand's Hauraki Gulf presented an entirely new type of challenge for Riedel, who contributes portrait, fashion, music, and investigative reporting photographs to GQ, The New York Times Magazine, and others. Hanging out of helicopters and snooping past security to peak into boat sheds proved to be thrilling, if frustrating work. "I felt very isolated, almost like a paparazzi, trying to capture subjects who viewed me with nothing but hostility," he says. "I have had better luck accessing top secrets of the American government then I had getting a ride on a sailboat in New Zealand."

It was Riedel's unfamiliarity with sailing that breathed a unique artistic perspective into his work. Whereas veteran sailing photographers might have seen hulls, winches, and spinnakers, he saw light, shapes, and patterns. He returned home with a fondness for the athletic sailors that actually make the boats go, and a treasure trove of images.